There are a lot of magazines out there. Estimates of city/regionals range into the thousands in a genre that hardly existed 50 years ago, which means there are a lot of people writing, selling or designing magazines that are aimed at specific communities.
Very few of these people can claim to have invented anything new. Almost all the local magazines run the same kinds of stories and carry pages of people enjoying themselves at social functions, usually for a worthy cause. If one organization finds a gimmick that sells, such as Top Docs, others are quick to follow. There aren’t many people who have actually come up with a fresh idea. John Broderick was one of them.
Broderick, who died July 31 at age 89, found himself in a difficult position in the late 1980s. He had been hired to run a dying local magazine. It was called The Best. Yolanda Maurer, the same woman who had started what is now Gold Coast magazine 20 years before, had launched it. And, as she did with her first magazine, she sold The Best as soon as it started to look successful.
The new owners were not magazine people and lived elsewhere. Without Ms. Maurer running it, their magazine quickly declined. They hired Broderick to try to save their investment. He had recently sold his own publication, Swimming Pool Weekly, a trade newspaper based in Fort Lauderdale. We met in 1972 when our publications were in the same building. We saw a lot of each other, especially when half of the Sunrise Professional Building (now the Galleria Professional Building) repaired to Nick’s Lounge at cocktail hour.
He was a memorable personality and great salesman with an engaging smile and knack for coining marketing phrases such as "our proprietary research shows..." Nobody knows what that means, but we train our sales force to employ it when in doubt.
By the late 1980s, the owners of The Best were weary of losing money. They basically walked away. Broderick decided to put out one last issue that might survive as its own entity. The idea he came up with was “Who’s Who In Charity and the Arts.” There were some charity registers around, and several South Florida magazines had long featured people at charity balls. But nobody had devoted an entire glossy issue to the charities and people behind them.
He sold it as an annual publication; it did not break anybody’s advertising budget. Charities felt that they had to be in the book to be taken seriously in the world of philanthropy, and prestige advertisers wanted to support the organizations that were often associated with their wealthy customers.
The concept worked well enough that Broderick repeated it several times, just long enough for us (after a nine-year legal battle) to regain control of Gold Coast and use the concept as our first comeback issue in 1991. Broderick stayed aboard as associate publisher for several years. He mainly sold ads, but his good looks and versatility allowed him to pose on short notice for a memorable Gold Coast cover.
By the mid-1990s he had the satisfaction of not only seeing his “Who’s Who” concept grow in our pages, but year by year it'd appear in an increasing number of city/ regional magazines. Today, even long-established magazines such as Philadelphia, New York, Washingtonian and Texas Monthly run variations on the concept. It is a rare regional magazine that does not have annual philanthropy features. Many list pages of charities and their calendars of events, exactly the same as Broderick did in the 1980s. Ironically, our annual philanthropy presentation comes up in our next issue, the 30th anniversary of the year it all began.
Although Broderick made advertising and publishing his career, he could have succeeded in other fields. His sales skills would work in any industry. He was also gifted musically. He was a fine singer and could play the piano and just about any other instrument he got his hands on. He was proud of his Irish background in Pittsburgh, and his “Danny Boy” was much in demand. We used to announce a “Danny Boy” contest on St. Patrick’s Day at Gaffer’s pub (at the time across from Holy Cross Hospital) and pronounce Broderick the winner, whether he showed up or not. He usually showed up. Then there were lunches at Wally Brewer’s Olde Town Chop House in the mid-1990s. Broderick, his friends and a hundred of Wayne Huizenga’s Blockbuster crowd keep that joint going, and several times when the regular piano entertainer was absent, Broderick would sit down and entertain the diners with his playing and songs.
He was also a bit of a historian, especially in military matters. He liked to talk of his father’s participation at the battle of the Marne in World War I. And he was proud of his own service with an artillery unit attached to the 18th Airborne Corps. That was just before he moved to Florida in 1952. His legacy presentation on the Iinternet shows several photos of him in uniform and posing with military hardware. His burial will be in a national cemetery in Lake Worth.
In his prime, the man was highly mobile, always ready to “meet you at the corner” and an uplifting spirit for all who met him. But a hip injury from a fall kept him in a wheelchair and largely close to his Pompano Beach apartment with his wife of 34 years, Jane, for the last few years. He was the proud father of daughter Eithne of Massachusetts and sons Sean and Tim Broderick, both of Fort Lauderdale. His first wife, Mary, died earlier this year. He also had several sisters who lived in South Florida, shared his high-energy personality and predeceased him.
There will be a memorial mass Saturday, Aug. 18 at 11 a.m. at St. Martin Episcopal Church in Pompano Beach.
San Francisco - The purpose of the trip was the trip. With Amtrak under usual pressure, there is no telling how passenger trains as we know them will exist. Sure, the high- speed Acela on the Northeast Corridor is not going anywhere, except between Boston and Washington where it is always busy. You can get from New York to the nation's capital almost as fast as it takes to go to and from the major airports for those cities. And our own Brightline, moving with alarming speed through our congested Gold Coast corridor, has a future as bright as its name.
Rather, we speak of those historic long-distance trains on the routes that built the country, crossing the sprawling plains and majestic mountains and memorialized in such songs as "City of New Orleans," "Rock Island Line" and "Chattanooga Choo Choo.” They also resulted in toy Lionel trains in the flashy colors of the Sante Fe or Baltimore and Ohio railroads, circling Christmas trees in countless homes. Those were the days before airplanes began making journeys in hours that took trains days.
Our concept was to take Amtrak around the four corners of the republic, beginning in Florida heading west and ending in New England heading south. Alas, Amtrak service to the west no longer begins in Florida. A damaged bridge a few years back had stopped that service. You have to set forth from New Orleans, which we almost did. Until a vicious and highly contagious stomach virus, which also affected five members of the family back in Florida, struck this author in New Orleans. We were half dead in bed when Amtrak's Sunset Limited, bound for Los Angeles, left the station.
But two days later, healthy again, our party flew to Los Angeles and boarded the Coast Starlight for San Francisco. It is a long day's journey into night, but before the sun sets, the train runs for miles right along the Pacific (above), often with nothing but nature between the tracks and the surf. As requested, God provided sensational weather. It is considered one of the visual treats of the Amtrak system. In a sense, it is also the most confidential. There is a long, spectacular piece of coastline that is privately owned. No roads approach the beach, so unless you are a guest of the landowner, the only way to capture this memorable view is aboard a train.
More accessible to the working classes is a stretch of mountainous track that follows as the train moves inland at San Luis Obispo. This part of the trip is necessarily slow as the serpentine track rises high above adjacent highways. There are several horseshoe curves where passengers at the end of the train can see the engines in the front, and look back and down at the section of rail just passed. The slow speed is actually a benefit, providing travelers time to absorb the spectacular views. Those views and slow pace end as the Coastal Starlight enters the Salinas Valley, made famous in John Steinbeck's fiction. The train reaches its 79 miles-per-hour speed limit as it races toward Jack London Square in Oakland, California.
Our breaks on the trip were meant as just that—a chance to detrain and relax. But they also turned out to compete with the train in terms of fun and interest. This was especially the case in San Francisco, where my brother and his family live. Frank first went to California with the Navy (he was NROTC at Villanova) and wound up getting his Ph.D. in economics at the University of California at Berkley. After time in D.C. with the Federal Reserve, he returned to San Fran as an economist for Bank of America. He also taught economics in the University of California system.
His daughter, Erin, who also has a Ph.D. in economics, is married to Eric Godtland, who grew up in Montana and received a bachelor’s degree in economics and a master's degree in industrial engineering from Stanford. He had an interest in music and, living in San Francisco, he helped form the rock group Third Eye Blind. For 17 years he was their manager. More recently, he helped longtime friend Victor Willis revive his career with The Village People. Willis is famous for writing the lyrics to “Y.M.C.A.,” the song that has attained cult status and is often played at sporting events, notably at the New York Yankees games. Their ground crew joins in with the iconic dance gestures that have long been wedded to the music.
We spent a day with this interesting guy at the family's weekend home in the Sonoma Valley. The house narrowly escaped last year's disastrous wildfire, which left so many homes in the valley as blackened foundations. The house nearest to it burned down, but the fire was stopped by the valiant work of a prisoner group, who volunteered for the dangerous work. They are good men themselves, despite their current residence.
That night we were back on the rails, headed toward Seattle rocking and rollin' toward new adventures in this century of wondrous change.
New Orleans: Mardi Gras, Bourbon Street, Cajun cuisine, ancient streetcars, Tulane, Katrina, one of the more pleasing uniforms in the National Football League and old southern folks who sound more like Yankees. These are the things that come to mind when you hear this city mentioned. Add to that list one more—The National World War II Museum.
We must join the embarrassed regiments of those who never knew this remarkable historic treasure existed, despite the fact that it has become one of the city's biggest tourist draws.
The buildings themselves are impressive and located in a redeveloped section in the heart of downtown. The museum is split into several sections in connected buildings, dividing the war into theaters, Europe and the Pacific, just the way it was. Hundreds of the primary weapons of both sides are displayed, along with films showing them in use. If you have never been run over by a 56-ton German Tiger tank, one of the films shown in an IMAX theater will suggest the thrill. Seats vibrate and sound booms from every angle when the Navy twin 40s anti-aircraft guns open up on a Japanese kamikaze bomber. You see through the eyes of the landing officer as he waves his paddles to guide a Douglas Dauntless dive bomber home to the deck, and almost feel you are one of the sailors racing to the aid of a pilot who misses his landing and careens toward the edge of the flight deck.
We spent about four hours in the museum, but such is its scope that we missed the one exhibit I would most like to have seen. I spent time in the Navy aviation pavilion, hoping to see some footage on the airplane in which my cousin, Lt. j.g. Thomas F. McCormick (pictured below) lost his life at Iwo Jima. He was a reconnaissance pilot who flew a catapulted floatplane off the Battleship USS Tennessee. The plane was the Chance Vought Kingfisher, probably built at the Naval aircraft factory at the Navy Yard in Philadelphia, where Tommy McCormick spent much of his life and played football at what is now La Salle University.
I was just old enough to remember him vividly when he came home after his first cruise at Christmas in 1944. The Tennessee had just participated in the invasion of the Philippines. He was a great looking guy, dark-haired and big. My brother, three years younger, does not recall him. Tommy died at Iwo Jima two months later, and only in recent years did we learn he had already survived one close call when his plane crashed while making a tricky water landing next to the big battleship. He and his radioman escaped, but the plane was lost. We also learned—through the kindness of Paul Dawson at the USS Tennessee Museum in Huntsville, Tennessee—that Tommy was probably shot down by friendly fire. We knew that there was no explosion when suddenly his plane broke in half. Observers on his ship reported two airplanes might have collided.
Paul Dawson, whose father had been the ship's photographer and actually knew my cousin, discovered an after-battle report, which probably had not been seen by human eyes for 60 years. For good reason it was marked "confidential" at the time. It suggested that a high-angle shell hit his plane, which flew at low altitude in order to observe the effect of our bombardment on Japanese positions. The shell never exploded as it went through the little Kingfisher like tissue paper. It cautioned against such possibilities in the future.
What we missed at the museum was a film that included the most famous Kingfisher event of the war. It also involved the most famous submarine of the war. The USS Tang sank more enemy ships than any other sub. It also took part in an amazing rescue operation with a Kingfisher floatplane in April 1944 off the Japanese island base of Truk (now known as Chuuk). The floatplane, piloted by Lt. j.g. John A. Burns, flew off from the battleship North Carolina. It had picked up six downed airmen in the Truk Lagoon during a major attack. Men were sitting on the wings and fuselage. It was so overloaded and damaged by rough seas that it could not take off. Burns, under enemy fire from the shore, taxied his plane to the Tang, which picked up all the men and then sank the damaged aircraft before escaping.
Burns received the Navy Cross for his heroics. Coincidentally, he was also from the Philadelphia area. He and my cousin were the same age and had enlisted about the same time. It is possible they knew each other. We will never know. On Feb. 26, 1945, exactly one week after the morning Tommy McCormick was killed in the Battle of Iwo Jima, the Philadelphia papers reported that war hero John Burns had died in a crash landing at Naval Air Station Oceana in Virginia.
Tommy McCormick at La Salle College in 1941
Main image via
NEW ORLEANS - This quaint old city tells you why Fort Lauderdale was right in nixing the downtown trolley idea. New Orleans has trolleys, and the oldest ones are pushing 100 years old, which is older than the average South Florida winter resident. Trolleys older than the ones I rode as a kid in Philadelphia—and they were old then—are still heavily used by locals and tourists alike. They are the equivalent of San Francisco's cable cars; riding one is a must for visitors.
The reason trolleys survive and thrive here is illustrated above. The city's broad Canal Street has medians wide enough to permit two tracks, so even though the trolleys are slow, they can keep pace with cars on both flanks. And once the trolleys escape the heart of downtown, they still have their own rights of way and move along at a reasonable pace.
They most famous line is St. Charles where the old vehicles rattle along a grass median, shaded by ancient oaks, sometimes reaching the breathtaking speed of 25 miles per hour. In good weather, the windows are open and signs warn against sticking your head out. Branches are often inches away, sometimes even brushing the sides of the cars.
One reason the old trolleys have endured (some built in the 1920s) is because they are one of the best ways to see the city. The St. Charles line is spectacular, passing through blocks of large ornate old homes and apartments before reaching the impressive campuses of Tulane and Loyola universities. In that respect, the 1920s pace is an asset. Gawkers have plenty of time to enjoy the view. One fare takes you to the end of the line and back. They run about 10 minutes apart, so if you miss one—or it is too crowded as it often is in the downtown section—there is usually another visible down the track.
Fort Lauderdale's proposed trolley, while 100 years more modern, was antiquated in the most important sense. It had no dedicated right of way. Had Fort Lauderdale planners been willing to sacrifice a lane of traffic on some of the broader, busier streets, it would have been a different story. But the times made that impossible. New Orleans transit planners were well ahead of Henry Ford. Horses pulled their original trolleys—in 1835.
Secondary image via
George LeMieux has an impressive resume. The chairman of one of the state’s largest law firms, Gunster Law Firm, graduated with honors from Emory University and was president of his fraternity. He was cum laude from Georgetown Law and interned for former U.S. Congressman E. Clay Shaw, Jr. and U.S. Senator Connie Mack III. He was chairman of the Broward County Republican Party. He became deputy attorney general for Florida, chief of staff in the attorney general’s office under Gov. Charlie Crist, and served two years in the United States Senate. The LeMieux Center for Public Policy at Palm Beach Atlantic University is named for him.
Add to that formidable list another credit: author. Hot off the presses of The History Press in South Carolina is Florida Made—The 25 Most Important Figures Who Shaped The State. LeMieux wrote the book with co-author Laura E. Mize, a former reporter for the Palm Beach Post. They worked on it for several years and ranked their top 25 according to importance. If you guessed Henry Flagler is first on the list, you are right. But that’s about the only one you are likely to hit on the nose.
That is acknowledged in the introduction: “Some of our choices will surprise you. Quite a few may be unknown to you. A couple will be unpopular.” The selection and rankings are based on this question: “If that person had not contributed to Florida in the way he or she did, what would have happened? It is not enough that a person was the first to do something significant. The real question is: Absent his or her influence, how would Florida be different?”
Thus we find high on the list, in third place, is a fellow many would recognize by the shortened form of his full name, Fidel Alejandro Castro Ruz. (See what they mean by unpopular?) And you have to go all the way to the bottom of the list to find anyone who is still with us. H. Wayne Huizenga, who Gold Coast magazine described a few years ago as second only to Henry Flagler in his contributions to the state, made the cut, but just barely.
Obviously, the book is something of a surprise party, and we won’t spoil that celebration by revealing all the names. Let’s just say authors LeMieux and Mize make good cases for their selections and support their scholarship with 62 pages of notes and a bibliography. It’s an easy read—even fun—and often entertaining in its rationale for some of the choices. It's a creative education even for those who think they know 500 years of Florida history.
Always a hands-on manager, Penske helped push his racer off the track during time trials.
It was 7:30 a.m. Monday following the 1969 Memorial Day Indianapolis 500. The owner was at his desk signing letters. He had 130 of them, all thank yous to people who had been helpful to him for the last month.
“It doesn’t take much time and people appreciate it,” he explained. The owner had his own Chevrolet dealership in West Philadelphia, which he had purchased after working three years as its general manager. The dealership was his job. As a sideline he also owned a racing car team, which had just participated for the first time in the greatest spectacle in racing.
For a rookie team, it had gotten an extraordinary amount of publicity. It had a big-time sponsor, Sun Oil Company, headquartered in Philadelphia not far from the auto dealership. The race car, an innovative four-wheel drive Lola, had been the talk of the race. His driver, although new to the oval track, was already becoming a legend as one of the most successful sports car racers of the day. He was a novelty in the sport—an engineer with a degree from Brown University who contributed to the design and technical aspects of his own racers. The team had lived up to its press, turning in some of the fastest times in qualifying.
However, the team did not win (Mario Andretti did), and the owner was disappointed, but hardly discouraged. His car had been running third late in the race before engine problems forced it out, and into a seventh-place finish. The thing that went wrong was almost a freak—a magneto had failed, shutting down the engine. However, the months of preparation, including most of the month of May spent in rookie qualification and time trials, had been a valuable learning experience. The owner seemed confident his team could win at Indy. He thought it would take three years.
He was wrong, but not by much. Roger Penske took four years to win his first Indy. Mark Donohue drank the victory milk in 1972. Three years later he was dead—cerebral hemorrhage a few days after crashing in practice for the Austrian Grand Prix. Penske, who stopped driving himself after a spectacular crash in a sports car race, lives on. Last weekend he won the Indianapolis 500 for the 17th time. LeBron James’ extraordinary basketball feat on the same weekend pales beside it. Talk about records that will never be broken. The two second-most winning Indianapolis owners—one of whom is Michael Andretti—have five. And, at age 80, Roger Penske is not finished.
What makes Penske so successful was apparent that morning almost 50 years ago when he was signing thank you letters at 7:30 in the morning. They had obviously been prepared in advance. The race had been on a Friday, and the next two days following the big event are always hectic. There are award dinners and teams breaking down their garages to go home. It can be very tiring, but here was Penske on the next working day at his office at the crack of dawn. Any fool could see him coming.
What took this fool to Indy for Penske’s 500 debut was largely a business decision. Philadelphia magazine was trying to develop automobile advertising. It began doing stories to support that effort. It did a piece on luxury cars and the guy who sold Rolls-Royces. We rented a limo for a day and wrote about the thrill of driving around town thumbing our noses at the poor slobs driving 10-year-old rust buckets. One of the writers even rode with a motorcycle gang for a few weeks. And then we decided to do something on auto racing. Stock cars were not the magazine’s audience, but a young fellow who had begun getting some notice as a sports car racer when still a student at Lehigh University was more our speed.
I had never seen an auto race of any kind, but my first car had been a 1958 Porsche (used but in immaculate condition), and my second a small BMW sedan, one of the first in the country. Only motorcycle buffs recognized the blue and white propeller emblem, a recognition of the company’s start as an aircraft engine builder. So I was aware of the racing history of those brands. When we read that Penske was jumping from road racing to the big time of Indy, and his sponsor was Sunoco, whose office was around the corner from the magazine, it seemed like a natural.
I contacted Penske more than a month before the race. He could not have been more cooperative, taking me to the suburban Philadelphia facility where his car was being prepared, letting me ride on a private plane with him back and forth from Indy in the weeks before the race, and arranging for me to be on the grid as the drivers got that famous “Gentlemen, start your engines!” command. He must have sensed how little I knew about racing, but was too tactful to say it.
His touch with the press is one of the qualities that has served the man now known as “the captain” so well over his career. From the start he was meticulous about detail, a demanding boss who drove his mechanics crazy by insisting they break down engines that were running fine. Penske became famous for the phrase “the unfair advantage,” meaning a better race car and driver. But he was always gracious in a game that back in that era had its share of rough characters. Those 130 thank you letters tell the story.
That year at Indy there was always a mob scene around his garage. Penske, whose nature is order, would get upset about all the people hovering over his mechanics, and order everybody out of the garage. Then, spotting a writer standing outside in the masses, he would motion you to come back in. He did this with others until within minutes the garage was crowded again.
His close relationship with Mark Donohue was palpable. Donohue was reserved and quietly polite, with a soft face that masked his fiercely competitive nature. The combination of personalities inspired the title of Philadelphia magazine’s piece: “Captain Nice and Mr. Clean at Indy.” I am not aware that he ever said much about it, but Donohue’s death at the height of his fame must have been the hardest blow that Penske had to take over the years in a dangerous sport.
Penske’s talents and discipline have taken him far beyond racing. He has been a remarkably successful businessman. You see Penske rental trucks every day, and he owns auto dealerships and has number of corporate boards. He mentioned that goal on one of the flights from Indy to Philadelphia in 1969. People were predicting he would get into politics, and I asked him about it, and what he wanted to do with the rest of his life. He was 32 at the time. He seemed to ponder the question, as if not sure of his answer, then replied, “I’d like to be known as a good businessman.”
He never mentioned 17 wins at Indy.
Roger Penske’s rapport with the media was always excellent. In 1969 he was interviewed at his first Indy 500 by Philadelphia sports writer Sandy Grady.
Even as a rookie owner, Penske’s garage attracted racing stars. Bobby Unser, (left) of a legendary racing family, visits with Mark Donohue.
The extension of the new Brightline train to Miami on the historic FEC Railway corridor is a giant step in making the new service realize its potential. Brightline gave its spectacular new Miami station a splashy opening two weeks ago when it ran a VIP trip along the 60-plus-mile route. We were just as impressed with this trip as we were with our ride to West Palm Beach a few weeks earlier. To go from downtown Fort Lauderdale to the heart of Miami in a little more than 30 minutes was hard to believe—even for some veteran railroad experts who flew in from around the country for the occasion.
To put that speed in perspective, a few days before we drove from Fort Lauderdale to Worth Avenue in Palm Beach. We left at 7:30 a.m., hoping to get ahead of Interstate 95 rush hour traffic. Fat chance. We arrived at 9:05 a.m., five minutes late for our meeting. It took almost 20 minutes just to get to I-95.
The guests on the trip to Miami included a number of political types who were in a separate car from us media folks. But we did get a chance to introduce ourselves to Broward County State Attorney Michael Satz before boarding the train. Unfortunately, it wasn’t Satz, and the man we harassed graciously said the misidentification has happened before.
It was just as well that they kept the Pharisees separate from the scribes, for we had a chance to talk to several visiting passenger rail experts, all of whom were effusive in their praise for Brightline. They agreed the station itself is an architectural knockout, built on what used to be the FEC’s freight yard. Although thoroughly modern, it includes a salute to the old classic stations with a soaring glass ceiling atrium (above). It is the heart of a complex still under construction—six blocks of high-rise offices, residences and retail facilities. Those familiar with Philadelphia, where Penn Center has more than a dozen tall buildings over an underground station that was once on elevated tracks, can appreciate the concept. Another example is New York City, where Madison Square Garden was built on the site of the old Penn Station above subterranean tracks. Those railroads created their own destinations. The same will happen in Miami when thousands of workers, residents and shoppers will be drawn to the MiamiCentral Station, many of them arriving by rail.
What impressed the pros we met just as much, however, was the planning that brought the three significant rail lines in South Florida together at one hub. The platform for Brightline is adjacent to one that will be used by Tri-Rail when that 20-year old commuter train is routed from its existing tracks on the westerly CSX, and (longer range) if some Tri-Trains are shifted to the FEC farther north in Broward County. Both those events will bring thousands of commuters to downtown Miami.
Adding to the convenience is the fact that the elevated Metrorail tracks are so close to the new station that a walkway is planned to connect them. That will enable commuters to quickly reach parts of the downtown too far to walk to from MiamiCentral, and even take them another 20 miles as far south as Kendall.
It is an irony, and not an attractive one, that at the same time this futuristic development in South Florida is taking form, another event in the making appears to offset such progress by repeating the errors of the past. We are seeing the reckless kind of building that makes transportation advances such as Brightline so badly needed.
We speak of the massive American Dream Mall, which was just approved by the Miami-Dade Commission. This is billed to become the country’s largest mall, entertainment and retail complex, which will be surrounded by a large, new housing development. Only one of 13 Miami-Dade commissioners voted against it, despite the fact that it has raised concerns about destroying even more wetlands on the edge of the endangered Everglades, and worries Broward County leaders that it will drastically increase traffic in the southwest part of the county. In fact, with a projected 70,000 vehicle trips per day, it will generate traffic everywhere in South Florida because the tens of thousands of visitors that are expected at the new complex will have to use major roads to get there. It is far from Brightline or any other mass transit system. It is just beyond the Broward County line and will likely affect us more than Dade. The American Dream could become a Broward nightmare.
As usual, the developer says it won’t affect traffic that much, and new roads will solve the problem. That is absurd and everybody knows it. They said all the new high-rises in downtown Fort Lauderdale would not impact traffic, and now we see how untrue that claim was.
Piling irony upon irony, as the papers were reporting the American Dream Mall story, they were carrying a major feature, “The Invading Sea,” on the threat of rising sea levels. Three papers—the Miami Herald, Sun-Sentinel and Palm Beach Post—all carried the series. It was capped off with Sunday editorials headlined “Wake up, S. Florida! Speak up on sea-level rise.” The papers almost screamed at readers to shake elected officials out of their ignorance, lethargy—or both—about the urgency of the situation. They even listed contact information for five of the most influential leaders.
So, at a time when efforts should be made to conserve water absorbing open land and foliage, we continue to add to the problem by paving over every available piece of land, permitting huge developments and converting open spaces such as golf courses to houses. Wake up Florida indeed. Before your bed floats away.
Those of us survivors who have followed the history of the Kennedy assassination and its controversial aftermath are finally getting some answers to questions that popped up soon after that tragic day 55 years ago. Or, more accurately, we are getting clues to answers, if not direct answers themselves.
One of the troubling aspects of the assassination has been the lack of action by major news outlets in questioning the official government version that Lee Harvey Oswald acted alone. Sure, there have been a plethora of books and articles written challenging that conclusion, but very little of that activity began with major news outlets. Television and newspapers merely reported what private investigators had uncovered.
That strange silence began even before the Warren Commission issued its 1964 report. No less an institution than The New York Times praised the work of the Warren Commission, but it took some time before skeptical researchers discovered that the Times’ assessment came before anyone on its staff has actually seen the full report—the 26 volumes of evidence that were full of inconsistencies and testimony from numerous witnesses that the commission chose to ignore.
Over the years major news organizations have seemed reluctant to accept conspiracy theories, even as they reported on them in detail. And in some cases, major newspapers have simply ignored dramatic information that appeared right under their noses.
We saw this up close and personal when our former employer, Philadelphia Magazine, printed one of the first articles casting doubt on the Warren Commission’s work. In 1966 Gaeton Fonzi interviewed Arlen Specter, the man who came up with the notorious “single bullet theory”—an idea necessary to support the single gunman conclusion. It was a long, detailed article, which created quite a stir locally when Specter could not explain his own theory. It actually led 10 years later to Fonzi being hired by Pennsylvania Sen. Richard Schweiker to take part in the reopened investigation of the crime.
However, at the time, the Philadelphia papers ignored Fonzi’s work. Specter continued to get favorable publicity as the man who had proved how a lone gunman killed a president. His growing reputation led to election as a U.S. Senator, an office he held for 30 years. There have been other examples over the years of important media ignoring stories in their own markets. One of the most glaring again involved Gaeton Fonzi. By then he had joined us in Florida as editor of Miami Magazine, which was sold in 1975. That’s when Sen. Schweiker contacted him to work for the government.
In late 1979, with five years of work behind him, Fonzi published a two-part article in Gold Coast magazine and The Washingtonian. The latter was an important magazine in the nation’s capital, and Fonzi had unusual credibility. He was now an insider who had dealt directly with the CIA and saw the agency’s efforts to sabotage any legitimate inquiry. In his articles, which later became “The Last Investigation,” regarded as one of the best books on the subject, Fonzi vented over the failure of two congressional committees to answer the question of who killed JFK. He had discovered a strong CIA connection to Oswald in the form of a high-ranking CIA officer who was heavily involved in anti-Castro activities in South Florida, but the House Select Committee on Assassinations, pressed for time and money, never fully followed up on that dramatic revelation.
Gold Coast could not have played the story any bigger (see cover above), but the local South Florida papers never mentioned it. The same thing happened in Washington, where Washingtonian was long established and highly influential. It sensationalized the story with a provocative cover, which resulted in the CIA officer suing for libel. He lost, but the magazine spent a lot of money defending itself. Despite all this, the former Washingtonian editor, Jack Limpert, said The Washington Post never carried a line about the story. Keep in mind the timing. This was almost 10 years after the Post showed great courage in breaking the Watergate story. More than strange.
Which brings us to the point. In recent years it has become known that major newspapers had CIA connections at the time of the Kennedy assassination. It only made sense. Reporters were stationed around the world. It was their job to have contacts that the intelligence community would find helpful, especially in places such as South Florida with all its Cuban anti-Castro activity. It did not mean that reporters were paid agents of the CIA, but it did mean they might sense a patriotic obligation to help gather intelligence when asked. And, quid pro quo, the CIA could be a valuable source of information to them. They had to be on good terms to keep up with the competition.
The fact that some reporters even had CIA code names was revealed years ago. It has long been known that the Miami News, which expired in the late 1980s, had one such reporter. Hal Hendrix impressed colleagues with his inside information on intelligence activities in Cuba and Latin America. He even won the Pulitzer Prize. But he blew his cover in 1963 when he revealed a CIA-sponsored coup in the Dominican Republic—the day before it actually happened.
And just last week the Miami Herald broke the news that among recently declassified Kennedy Assassination documents were several references to two of its own former reporters having CIA connections. Kevin Hall, a much-honored editor who works for McClatchy Newspapers out of Washington, D.C., revealed in a full page piece that the two Herald reporters, Don Bohning and Al Burt, now both dead, had CIA clearances and were assigned code names. Both covered Latin America at one time, and Burt later wrote prominent columns in the paper. Does this mean their contact with the agency was anything but normal for men in their position? Hall does not know. But it does support researchers who as early as 2005 claimed the CIA had friends at the Miami papers who could be counted on to keep some stories quiet, while promulgating others.
The more cynical among us—those close to important stories such as Fonzi’s, which were ignored by local papers—suspect that the CIA influence went beyond the newsroom grunts, and may have involved high levels of management. The initial reaction of The New York Times to the Warren Commission Report is one example. Perhaps a better one was the legendary The Washington Post editor Ben Bradlee, a friend of President Kennedy. You would expect him to be a leader of the charge when the doubts about the Warren Commission were first publicized. But he was also the brother-in-law of a high-ranking CIA officer and was close to the agency’s top leadership. He would have been reluctant to associate his social friends with such a terrible crime. In an interview with David Talbot for his 2007 book Brothers, Bradlee admitted that when the first questions about the assassination arose in the mid-1960s, he was new to his job and concerned about his career. But that insecurity does not explain why his newspaper was silent when Fonzi’s magazine article roiled Washington 15 years later, after his paper’s brilliant Watergate work, and he had become a hero played by look-alike Jason Robards in the film “All The President’s Men.”
Bradlee is gone now, so we will never know his true thoughts. All we are left with are clues. And the clues keep coming. Perhaps someday they will lead to answers.
Image: Gold Coast magazine's November 1980 cover.
One by one, friends have been testing the new Brightline service on the Florida East Coast Railway between Fort Lauderdale and Palm Beach. Uniformly, they have given the fast train rave reviews. Last week, courtesy of Brightline, our editorial staff got to ride the train. Our verdict: Those rave reviews are right on.
The latest, and easily the most influential, comes from Trains Magazine, longtime (since 1940) bible of rail transportation. In a sprawling 10-page article with 20 photographs and illustrations, the magazine applauded Brightline for its meticulous planning and innovation. “Florida trains could rewrite book on U.S. passenger service” was the lead subhead. That’s impressive praise in a magazine that has not been shy about criticizing its industry.
We scheduled our trip before we saw this tribute. We planned a lunch meeting with our Palm Beach county publishers at City Cellar, located in City Place within walking distance of the new Brightline station. That meant catching the 11:55 a.m. train from downtown Fort Lauderdale’s station, just north of Broward Boulevard. The train pulled out on time and arrived in West Palm Beach at 12:30 p.m. That was just enough time for Ali Soule, director of public affairs for Brightline, who graciously hosted our little group, to give us a detailed briefing on the service, including some hints at expansion possibilities.
First, the stations are not your grandfather’s train terminals. They feature the latest technology in buying tickets and have airport-style baggage checks. Passengers wait in comfortable lounges, where you can enjoy a drink, soft or otherwise, and reach the platforms by escalators.
The train itself is a beautiful job, a consist (four permanently connected passenger units with sleek engines at both ends) built by Siemens in California. It is an upgraded version of trains we have ridden in Ireland—wildly colorful on the outside, very comfortable inside, with seats that face each other with a table in between. You will see a lot of laptop activity on this train. The ride to Palm Beach is as fast as permitted by law, 79 miles per hour, although it did not go that fast leaving busy downtown Fort Lauderdale. I guess we hit about 50 until the train cleared the busiest intersections. Then it opened up and rarely slowed for the next 40 miles.
The ride is as smooth as railroads get. That is partly the design of the equipment, but also is due to the excellent FEC Railway roadbed, recognized by train buffs as one of the best in the country. And it sure is fast. Not Bullet Train speed but slightly more than a half hour from downtown West Palm to downtown Fort Lauderdale is excellent time. On our return trip we hit a heavy rain around Delray Beach, so heavy that we could barely see the traffic on adjacent Dixie Highway as we blew by the cars. Had that downpour been in West Palm Beach at rush hour, it could have taken close to half an hour just to drive to Interstate 95.
I must confess that, given the number of accidents involving Brightline in its first months of operation, there was some nervousness during that rain as we flashed past grade crossing after grade crossing. It was comforting, however, to see FEC employees in bright vests guarding many of the crossings—just to make sure some fool didn’t invite eternity by driving around the crossing gates.
Which brings us to the challenge facing the new train if it is to reach its potential. There are hundreds of grade crossings on those tracks, each one an accident waiting to happen. They won’t be as dangerous once motorists get used to seeing the train race by, but it will take time for people who are used to slow moving (sometimes even stopped) freight trains to realize that their days of trying to beat the trains are over.
But the fact is that eliminating those crossings should be a priority for all communities along the track. They should have never permitted them in the first place. In major northern cities tracks that originally met streets at grade level were elevated, depressed or bridged more than 100 years ago. The fast Acela train on the northeast corridor has very few grade crossings along the entire 200 miles from New York to Washington.
It will take years, and great investment to bring the FEC up to that safety standard, but a good start would be eliminating dozens of the less busy crossings. That would open up stretches where the train might even go faster than the 79 miles per hour now permitted. In the longer run bridges can be constructed on those sections where no major buildings would have to be razed to make room.
Those safety improvements would surely reduce the criticism of the new train, which has been especially strident on the Treasure Coast. But that opposition would stop on a dime if, as is likely, Brightline adds a stop or two between West Palm Beach and Cocoa Beach, where a new track is scheduled to take the train on its last 40 miles to Orlando. All it would take to silence some critics is one ride on the train. No one who does that can fail to appreciate its value.
The train will soon be extended to Miami, greatly enhancing its utility, and it is almost a certainty that several stops between Lauderdale and the major station in downtown Miami will be added. The Fort Lauderdale-Hollywood International Airport is the most obvious. The track passes directly under the airport entrance (which once was a grade crossing) in contrast to Tri-Rail’s nearest station, which requires a bus shuttle. However, Brightline should not become another Tri-Rail, with stops every few miles; that would negate its speed advantage. Stops every 10 to 15 miles would seem about right.
Bottom line: Congratulations to the FEC and Brightline. You are long overdue and most welcome.
Images courtesy of Brightline
Washington, Dec. 8, 1941.
The alleged Japanese attack yesterday on the United States naval base at Pearl Harbor has resulted in cries around the country for President Franklin Roosevelt to ask Congress to declare war against the Empire of Japan and guarantee an inevitable triumph.
However, major newspapers and at least one broadcast outlet are questioning the accuracy of the reports of the attack. Ronald Dumph, an aspiring presidential candidate, says he doesn’t know who attacked Pearl Harbor. He says it could have been a 400-pound gorilla. Nobody really knows.
Dumph added that the U.S. should be friends with Japan—it’s a good thing. He feels the same way about Germany, whose leader, Adolf Hitler, he admires for making Germany great again. He says Herr Hitler enjoys the unbridled admiration of the German Nazis, which is more than you can say for some American leaders. Dumph has a thing for strongmen. He likes generals and people in uniform. He loves Mussolini because he made the trains run on time. Dumph rarely rides trains, but he enjoys striking Mussolini poses.
Dumph reportedly gets most of his information from Doc’s News. He doesn’t read newspapers but goes with his gut instincts, which are always right. He says we should get along with the Germans because it’s a good thing, and they also have cool uniforms. And he loves the heil Hitler salute. He doesn’t trust the Pearl Harbor reports because he says the media is the enemy of the people—unless it loves him.
Other sources say the evidence that the attackers were Japanese is compelling, including the fact that the airplanes had big red meatball insignia, and several crashed planes had guidebooks to Palm Beach in the cockpits written in Japanese, and empty sake bottles. Dumph, who does not drink, calls those reports “fake news” and prefers listening to the 160 radio stations that are owned by Kamikaze Media, reportedly a division of the Greater East Asia Co-Prosperity Group. Its stations tend to oppose anything President Roosevelt wants to do, and think—if the
Japanese really did attack—we probably had it coming.
Alas, that conditioning has led to abuse. Mainstream TV news on the big three networks is still pretty straight, but with the growth of cable, we have seen a trend toward presenting opinion as fact. It is an old idea, actually, used by Hitler, Mussolini and Japanese leaders. It is called propaganda.
Forgive me if I am a bit sensitive on this subject. I interviewed and wrote about the man who started it all —long before Roger Ailes insulted the aforementioned newsmen by launching Fox News. Ailes was in Philadelphia and had just starred in Joe McGinniss’ best-selling book, The Selling of The President-1968. The book described how Ailes ran a phony campaign, isolating Richard Nixon from the real press while staging rigged town halls in which Nixon answered prepared questions. And he won the election.
Ailes told me at the time that the media was controlled by Democrats, and made no secret that he wished for an outlet showing the other side. He got it decades later when he launched Fox News. That network was never “fair and balanced,” but it was tolerably mainstream at first. No more. It has become increasingly biased, so bad that it is now being described as state-controlled news, consistently distorting the facts of any story with political implications, promoting wild rumors, supporting Trump’s outrageous attacks on the media and government agencies such as the Justice Department and FBI—anything to please its favorite viewer,
The corruption has gone beyond reporting. The sex abuse scandals of its execs, starting with the late Ailes himself, have been sensational. It is true that there are some dissenting voices at Fox, but they are despised by many in its audience, for whom Fox is their sole source of information.
With Bill O'Reilly as one of the victims of the sexual harassment purge, Sean Hannity has become the favorite of Trump and his loyal base. So it appears to be a gift from providence for our argument that on Monday Hannity was exposed as the poster boy for Fox's corruption. It was revealed that Trump's fixer lawyer, Michael Cohen, has a close legal relationship to Hannity. It is hard to believe that anyone with any brains at all can take Hannity seriously in the future. But, they probably will.
Fortunately, there are signs that state sponsorship is beginning to fail. Some key personalities and contributors have left the network, unable to tolerate the culture. It is part of a general resistance to Trump propaganda. The governor of Oregon says she will refuse to send National Guard troops to the Mexican border. She may not have the final say on that, but the point is made. Defiance. Let us hope that a cure is found for the great media divide before we have another Pearl Harbor.